Dial H: I Would Prefer Not To. . .
This issue uses the title’s meta-position as simultaneously within and without the superhero comic genre to comment on depictions of race in comics.
This issue uses the title’s meta-position as simultaneously within and without the superhero comic genre to comment on depictions of race in comics.
Dazzler is the perfect subject for looking at the representation of sound in comics
If Banner’s anger is inextricable from his immediate social world, the Hulk’s anger is more basic, primal and constant. It is the anger of being.
If I were Sue Richards I would have divorced Reed’s ass a long time ago. .
Bathroom humor.
Seriality and Macro-closure
Subaltern characters must punch their way into the “mainstream.”
Rhodey’s armor allows him to literally don the guise of a successful white man, to “pass” in the world of (mostly) white superheroes.
Superhero comics: insufferably weird as to become predictable
Reed Richards is not so fantastic when it comes to understanding race in America.
What the title says.
How do we recognize Peter Parker as Peter Parker?
It is marginally better than Comic Book Men, that really isn’t saying much.
A hip-hop battle in comic form? Who drew this? I want a whole series!
Frederic Wertham: The most important comics critic of all time.
There are multiple Mary Jane Watsons.
Spider-man is Black. Or at least, he could be. . .
The zombie apocalypse genre exists in an unending ending, a futureless world that echoes our own relationship to being.
The normalizing of torture in our society in the post-Bush/Guantanamo era.
Pretty sure the dudes in XTC read Crisis on Infinite Earths