When Black Lightning rejects the Justice League he is rejecting white supremacy.
The clumsy way superhero comic books of the post-Civil Rights 1970s explicitly address race can provide a site for imagining productive racial consciousness for black characters, while also highlighting the limits of that kind of resistant reading.
The second in our on-going series of interviews with comics scholars.
The role of race in reconstructing the Bronze Age.
Exploring the limits of diversity in a white supremacist framework through a five-in-one look at 1978’s Marvel Two-in-One.
Because you can’t trust even the best-intentioned white Captain America to know what’s up.
Putting Fear the Walking Dead’s allusion to national zeitgeist regarding police brutality into context.