Ms. Marvel’s Mise-En-Scène: How the MCU uses Environmental Storytelling to Adapt the Comics
Adrienne Resha examines how Ms. Marvel on Disney+ uses the mise-en-scène to help adapt and convey information from its comic sources.
Adrienne Resha examines how Ms. Marvel on Disney+ uses the mise-en-scène to help adapt and convey information from its comic sources.
In this essay, guest writer, Tiffany Babb uses the changeable figure of Loki in 2011’s Journey into Mystery to consider the liminality of identity and how it is shaped by expectations
Looking beyond representation in She-Ra and the Princesses of Power and towards the contexts that inform it to consider the narrative structures used to build queer storyworlds.
Young Avengers provides a fun and thoughtful exploration of the contradictions inherent to the transformation from adolescence to adulthood.
A crucial interrogation of how Gal Gadot’s Israeli identity and IDF experience are used to sell her authenticity in the role of Wonder Woman.
The fifth in our conversations with comics scholars. This time with Dr. Andrea Gilroy, discussing how the tensions between image and text in comics reflect the messiness of identity, and how Ninja Turles and picture bibles might lead to being a comics scholar.
The social nature of personal identity in Brian K. Vaughn and Marcos Martin’s The Private Eye.
Endings shouldn’t get more weight than middles.
If there is one thing we can count on in mainstream superhero comics it is the strange tension between the accretion of change and the status quo.
Identity is a constant retcon.
At the heart of Dan Slott’s run on She-Hulk is a alternately critical and nostalgic concern with continuity and rupture in serialized superhero comic books.
There are multiple Mary Jane Watsons.