Comicsgaters are wrong because comics have always been political, but those politics weren’t always as great as they are sometimes made out to be by comics’ defenders.
Does the 2013 comic adaptation of Django Unchained’s inclusion of an unfilmed sequence provide insight into the figure of the black woman slave?
Re-considering the arc of Captain America through the lens of trauma in the Marvel Cinematic Universe.
A crucial interrogation of how Gal Gadot’s Israeli identity and IDF experience are used to sell her authenticity in the role of Wonder Woman.
Making use of the naturalized male gaze to challenge its reductive results and explore questions raised by our Bitch Planet Round Table.
Dazzler the Movie as an important fictional prehistory to the #MeToo movement and stories about abusive media figures.
Part Three in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.