Dr. Vincent Haddad examines both an issue of the brilliant new The Other History of the DC Universe series and O’Neil and Cowyn’s classic 1980s run on The Question, considering both the limits and promise of revision.
Considering how 1990’s The Flash on CBS was a pivotal development to the television superhero genre through fashion.
Part one in an exploration of how the trajectory of Tyroc’s character provides a blueprint for thinking about the arc of other black superheroes.
Part One in our three part roundtable on comics paratexts focuses on letter columns.
Laura Grafton and Andew Deman examine the intersection of Harley Quinn’s three central relationships, with the Joker, Poison Ivy, and her audience.
How the limitations of Jimmy Olsen’s transformations limn the dynamics of superhuman embodiment.
Brief reviews of comics released between January 1st and 15th, 2020 (like Miles Morales: Spider-Man #14 and Second Coming #6), plus a couple of outliers I picked up (like Superman’s Pal Jimmy Olsen #3).
A guest post in the form of a preview of the forthcoming anthology, Unstable Masks: Whiteness and American Superhero Comics.
Brief reviews of comics that were released in September 2019, including Agents of Atlas #2, Wonder Twins #7, and Power Pack: Grow Up! #1
Brief reviews of recent comics released August 22 to September 5, 2018; including Border Town #1, Black Hammer: Age of Doom #4, and Paper Girls #24.
Using Teen Titans #41 to think through token characters and slavery as a narrative trope.
A crucial interrogation of how Gal Gadot’s Israeli identity and IDF experience are used to sell her authenticity in the role of Wonder Woman.
The CW’s Black Lighting represents the split between Black respectability and radical politics in a singular figure.
Brief reviews of comics that came out between March 7 and 21, including Marvel Two-in-One #4, Black Bolt #11, and the Mighty Thor #705.
In this guest post, Bruno Savill de Jong explores Simone and the Dodsons re-imagining of Wonder Woman’s origin and its connection to Amazonian notions of womanhood.
When Black Lightning rejects the Justice League he is rejecting white supremacy.
The clumsy way superhero comic books of the post-Civil Rights 1970s explicitly address race can provide a site for imagining productive racial consciousness for black characters, while also highlighting the limits of that kind of resistant reading.
The latest in our conversations with comics scholars: this time Dr. Brian Cremins talks comics and nostalgia as pitfall and strategy in (re)constructing personal and historical narratives.
Brief reviews of recent comics including Wonder Woman #14, U.S. Avengers #1, and The Flintstones #7.
Brief reviews of comics released (mostly) August 24 through September 7th, including Wonder Woman #5, Ms. Marvel #10, and Sixpack And Dogwelder: Hard-Travelin’ Heroz #1.
Brief reviews of comics released August 3-17, 2016 – including Sam Wilson: Captain America #12, Wonder Woman #4, and The Flintstones #2.
The Middle Spaces 