The CW’s Black Lighting represents the split between Black respectability and radical politics in a singular figure.
This Girl Power(!) needs to be a little more intersectional in its thinking.
Putting Fear the Walking Dead’s allusion to national zeitgeist regarding police brutality into context.
Endings shouldn’t get more weight than middles.
The Walking dead trots out the old trope of the racist you love to hate, or maybe that’s (don’t really) hate to love.
Just because the world has gone to hell doesn’t mean that the prejudices and privileges of white people won’t bubble up to betray you.
It is marginally better than Comic Book Men, that really isn’t saying much.