Closing the Comics-Gate: On Recognizing the Politics of Comics
Comicsgaters are wrong because comics have always been political, but those politics weren’t always as great as they are sometimes made out to be by comics’ defenders.
Kept in a Jar: Broomhilda and the Representation of Enslaved Women in Reginald Hudlin’s Django Unchained
Does the 2013 comic adaptation of Django Unchained’s inclusion of an unfilmed sequence provide insight into the figure of the black woman slave?
Unfreezing the Past: The MCU’s Captain America and Traumatic Reenactment
Re-considering the arc of Captain America through the lens of trauma in the Marvel Cinematic Universe.
Colonial Hottie: Gal Gadot, Wonder Woman and Brand Israel
A crucial interrogation of how Gal Gadot’s Israeli identity and IDF experience are used to sell her authenticity in the role of Wonder Woman.
Countering the Gaze: The Liberatory Potential of Bitch Planet’s Exploitation Aesthetic
Making use of the naturalized male gaze to challenge its reductive results and explore questions raised by our Bitch Planet Round Table.
“Is There Anything Left to be Shattered?”: Reading Dazzler in the #MeToo Moment
Dazzler the Movie as an important fictional prehistory to the #MeToo movement and stories about abusive media figures.
Hard Women, Hard Time: Bitch Planet Comics Studies Round Table (part three)
Part Three in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.
