Dazzler the Movie as an important fictional prehistory to the #MeToo movement and stories about abusive media figures.
Part Three in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.
Part Two in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.
Part One in a scholarly round table examining Kelly Sue DeConnik and Valentine De Landro’s Bitch Planet.
In this guest post, Bruno Savill de Jong explores Simone and the Dodsons re-imagining of Wonder Woman’s origin and its connection to Amazonian notions of womanhood.
Logan, the best there is at what he does, and what he does is care.
Sammus embraces the kind of freedom afforded to grassroots, independent artists who don’t have corporate overseers menacing with strange gazes and mandates to sellout.
Exploring the range of style, format, and content in China’s Special Comix 6.
This Girl Power(!) needs to be a little more intersectional in its thinking.
What do we need to do to get a decent Afro-Latinx superhero?
“You know what you need to learn? Old school artists don’t always burn!”
Sam Wilson’s characterization as the rugged individual and then his ascension to the role of Captain America are political messages that must be addressed beyond the tendency of media to oversimplify the political ramifications of things, or streamline complex histories
Could Cyborg be the comic book superhero representation of white supremacy’s effect on the black body? To have a black person transformed from a metaphorical machine to an actual one?
Understanding of the anxiety of influence is required in order to really understand sidekick superhero comics.