Imperfect Storm (Part Three): “Return of the Goddess”
Storm’s return to the site of her X-origin and the awkward undoing of her “goddess” identity.
Storm’s return to the site of her X-origin and the awkward undoing of her “goddess” identity.
A song from ’95 about the state of Black Revolution in America in light of the appeal of consumerism and individual contentment.
You can’t separate hip hop from race without looking like you’ve separated your head from sense.
Part Two of Exploring Storm as a postcolonial figure.
Gerber takes on the critics, while Zdarsky takes on the Marvel Universe.
Brief reviews of comics released on June 17th and June 24th, 2015 – including Prez #1 and Ms. Marvel #16.
Exploring the relationship between seriality, identity and the colonial imagination through X-Men’s Storm.
The hope of the new Spider-Woman series.
Mini-reviews of recent comics including A-Force #1, Spider-Woman #8 and Deadpool’s Secret Secret Wars #1.
In which my preference switches between the two series. Fast and funny beats turgid “commentary.”
Short reviews of comics released between May 6th and May 13th, 2015. All Marvel Comics this time around.
Reading these two comics together that stand (let’s call it) 40 years apart, I can’t help but wonder if the versions of Howard I saw in previous issues somehow flipped across time and space to take each other’s place.
Sam Wilson’s characterization as the rugged individual and then his ascension to the role of Captain America are political messages that must be addressed beyond the tendency of media to oversimplify the political ramifications of things, or streamline complex histories
Brief reviews of comic books from 4/15 to 4/29, but a couple go back a few weeks further.
1999’s appeal emerges from a sense of danger, from the scandalous possibilities of a morality unbound by the coming apocalypse, disguised as synth-heavy dance pop
The first in a series of posts about both the new and original Howard the Duck comic book series.
The ways fans of color engage with characters and stories can re-circuit and re-interpret those stories in ways that provide the kind of productive identification that challenges that tired old repetitive and thoughtless representation.
Could Cyborg be the comic book superhero representation of white supremacy’s effect on the black body? To have a black person transformed from a metaphorical machine to an actual one?
The fourth in a series of posts about black superheroes. Marvel Comics’ Brother Voodoo—a character to feel really conflicted about.
Brief reviews of comic books released from February 2 to 18, 2015; including Bitch Planet #3 and Silk #1
The heteronormative values these romance comics reinforce are really friggin’ queer.