Violence is the Normalizing Force
Subaltern characters must punch their way into the “mainstream.”
Subaltern characters must punch their way into the “mainstream.”
Rhodey’s armor allows him to literally don the guise of a successful white man, to “pass” in the world of (mostly) white superheroes.
Superhero comics: insufferably weird as to become predictable
Reed Richards is not so fantastic when it comes to understanding race in America.
The “scariness” of black sexuality made palatable.
What the title says.
The very act of singing what he is singing is the woman’s work he sings about.
It’s Oedipal.
Hip-Hop does not eschew history, it honors it, it has a historical pluralism encoded and embedded in its foundational tracks.
How do we recognize Peter Parker as Peter Parker?
It is marginally better than Comic Book Men, that really isn’t saying much.
Stevie is challenging traditional notions of white-washed American history and what kinds of accomplishments should be included in that narrative.
An obscure book worth tracking down.
A hip-hop battle in comic form? Who drew this? I want a whole series!
Hip Hop and homage as critique
Frederic Wertham: The most important comics critic of all time.
There are multiple Mary Jane Watsons.
Evil by degrees.
Spider-man is Black. Or at least, he could be. . .
The zombie apocalypse genre exists in an unending ending, a futureless world that echoes our own relationship to being.
The normalizing of torture in our society in the post-Bush/Guantanamo era.