My latest post on Sounding Out! The Sound Studies Blog:
Next month may mark the 30th Anniversary of the release of Michael Jackson’s Thriller, but chances are that if you are going to a Halloween dance party this year –or have since 1982–the musical highpoint of the night will still be when they play the title track. While thematically and sonically appropriate for Halloween getting down, there is more to the song’s sonic exploration of fear, both its “scary sounds” and the lyrical references to sound–the stolen scream, the creeping from behind–in the role of scaring an audience. There is startling disconnect between the scariness the song describes (and the stock sounds of classic Hollywood horror films it samples) and its ability to make something potentially scary palatable to a pop mainstream. It is not so much the elements of horror themselves that Michael Jackson’s song makes acceptable, but the potential scariness of sexuality for which it is a metaphor.