BOOM! Studio’s Abbott and its illumination of whitestream culture in academia and journalism.
Batman: White Knight demonstrates the limitation of the white imaginary regarding a post-police society by simply not being be able to envision one.
In the 12th installment of our series of talks with comics scholars and teachers, we talk with Dr. Rebecca Wanzo, about her new book, the difference between caricature and stereotype, and not remembering a beginning of a political consciousness.
Examining Howard the Duck #28 – when a Wolfman writes a duck man and ends up with a bomb.
“Slash and burn, return, listen to yourself churn. . ” as we come to the final arc of the first volume of Howard the Duck to be penned by Steve Gerber.
Laura Grafton and Andew Deman examine the intersection of Harley Quinn’s three central relationships, with the Joker, Poison Ivy, and her audience.
When it is a surprise to the editor that both stories in a comic are written and drawn by women, it takes an engaged reader to consider the actual significance.
Thinking through how personal narratives also become mediated narratives that enable queer world-building through the example of The WB’s Birds of Prey.
How the limitations of Jimmy Olsen’s transformations limn the dynamics of superhuman embodiment.
Ten ways to look at Howard the Duck #24 – the part that reflects the whole, the whole that is just a part.
Brief reviews of comics released between January 1st and 15th, 2020 (like Miles Morales: Spider-Man #14 and Second Coming #6), plus a couple of outliers I picked up (like Superman’s Pal Jimmy Olsen #3).
A long time ago in a world he never made. . . STAR WAUGH! Third in an ongoing Howard the Duck reading series.
A look at the past year, comics collecting present, and a possible future for The Middle Spaces
A guest post in the form of a preview of the forthcoming anthology, Unstable Masks: Whiteness and American Superhero Comics.
Guest contributor, Tiffany Babb, interviews cartoonist Melanie Gillman about their work and the importance of envisioning queer and trans histories.
Interrogating the complex legacies of racial injustice in Hazel Newlevant’s No Ivy League and Jonathan Lethem’s The Fortress of Solitude.
Considering the role of Latinidad in Araña’s comics despite a decreasing representation of of its so-called “authentic” markers.
Brief reviews of comics that were released in September 2019, including Agents of Atlas #2, Wonder Twins #7, and Power Pack: Grow Up! #1
What do Disney and “decency” campaigns have in common? The blandification of culture. Covering Howard the Duck #21.
The personal is political and sometimes – as in the case of abortion – the political is personal.
How well do Marvel and DC’s 1985 comics meant to raise aid for famine relief in Africa tackle the tragic events they are addressing? Short answer? Not well.