A guest post in the form of a preview of the forthcoming anthology, Unstable Masks: Whiteness and American Superhero Comics.
Guest contributor, Tiffany Babb, interviews cartoonist Melanie Gillman about their work and the importance of envisioning queer and trans histories.
Interrogating the complex legacies of racial injustice in Hazel Newlevant’s No Ivy League and Jonathan Lethem’s The Fortress of Solitude.
Considering the role of Latinidad in Araña’s comics despite a decreasing representation of of its so-called “authentic” markers.
Brief reviews of comics that were released in September 2019, including Agents of Atlas #2, Wonder Twins #7, and Power Pack: Grow Up! #1
What do Disney and “decency” campaigns have in common? The blandification of culture. Covering Howard the Duck #21.
The personal is political and sometimes – as in the case of abortion – the political is personal.
How well do Marvel and DC’s 1985 comics meant to raise aid for famine relief in Africa tackle the tragic events they are addressing? Short answer? Not well.
Brief reviews of comics released between June 12 and July 3, 2019, including Monstress #23, Moon Girl & Devil Dinosaur #44, and Wonder Twins #5
A return to Howard the Duck after a nearly three-year hiatus from the If It WAUGHs Like a Duck series. . .
New and different, but not all-new and all-different, adaptation and change in superhero comics as narrative mutation.,
Part Four in a four-part scholarly round table examining the intersections of sound and comics.
Part Three in a four-part scholarly round table examining the intersections of sound and comics.
Part Two in a four-part scholarly round table examining the intersections of sound and comics.
Part One of a scholarly round table exploring the intersection of sound and comics.
Critiquing Thanos and the limits of deconstruction.
In the 11th installment of our series of talks with comics scholars and teachers, we talk with Dr. Marc Singer about his new book Breaking the Frames, the state of comics studies, and which is worse, recommending someone watch Aquaman or read Kingdom Come.
When manhood and nation are synonymous women just become a way for men measure patriotism.
Comicsgaters are wrong because comics have always been political, but those politics weren’t always as great as they are sometimes made out to be by comics’ defenders.
Brief review of comics released between (mostly) December 19, 2018 to January 16 – including Runaways #16, Bitter Root #3, and Fantastic Four #5.
Does the 2013 comic adaptation of Django Unchained’s inclusion of an unfilmed sequence provide insight into the figure of the black woman slave?