This is Part One of a two-part series of posts on the classic X-Men comics arc, “Days of Future Past,” which originally appeared in X-Men issues #141 and #142.
Brief reviews of: Captain Marvel #3 | All-New Ghost Rider #3 | Ms Marvel #3 | Mind MGMT #21 | Silver Surfer #2 | Amazing Spider-Man #1.1 | The Star Wars #7 Superior Spider-Man #31 | Thor: God of Thunder #21
Gender identity is over-determined.
Captain America: The Winter Soldier is part of the ideological state apparatus
X-Men’s record of including women is still only good in relation to the rest of superhero comics.
Brief reviews of: Black Widow #1 | Captain Marvel #2 | All-New Ghost Rider #1 | Superior Foes of Spider-Man #10 | Superior Foes of Spider-Man #11 | Superior Spider-Man #30 | Superior Spider-Man Annual #2 | Thor, God of Thunder #20
The finest trick humanity ever played was persuading itself that he devil was real.
Brief reviews of: Captain Marvel #1 | Hawkeye #15 | Hawkeye #17 | Mind MGMT #19 | Moon Knight #1 | She-Hulk #2 | Superior Foes of Spider-Man #9 | Superior Spider-Man #28 & #29
Hip Hop got up big time, and I love that, but its focus on cultural production left its political potential untapped.
Brief reviews of: Hawkeye #16 | Ms. Marvel #1 | She-Hulk #1 | Superior Spider-Man #26 | Thor, God of Thunder #18
The first major story arc in DeConnick’s series is an attempt to write Ms./Captain Marvel into a revisionist feminist text – a laudable attempt to make manifest the purported feminist subtext of the character.
Matt Kindt’s Mind MGMT unfolds like a dream, but what do dreams mean, if anything?
Rock n’ roll songs about rock n’ roll disillusionment.
The Middle Spaces 