The Who’s “I’m a Boy” as Transgender Anthem
Gender identity is over-determined.
Gender identity is over-determined.
Captain America: The Winter Soldier is part of the ideological state apparatus
X-Men’s record of including women is still only good in relation to the rest of superhero comics.
Brief reviews of: Black Widow #1 | Captain Marvel #2 | All-New Ghost Rider #1 | Superior Foes of Spider-Man #10 | Superior Foes of Spider-Man #11 | Superior Spider-Man #30 | Superior Spider-Man Annual #2 | Thor, God of Thunder #20
The finest trick humanity ever played was persuading itself that he devil was real.
Brief reviews of: Captain Marvel #1 | Hawkeye #15 | Hawkeye #17 | Mind MGMT #19 | Moon Knight #1 | She-Hulk #2 | Superior Foes of Spider-Man #9 | Superior Spider-Man #28 & #29
Hip Hop got up big time, and I love that, but its focus on cultural production left its political potential untapped.
Brief reviews of: Hawkeye #16 | Ms. Marvel #1 | She-Hulk #1 | Superior Spider-Man #26 | Thor, God of Thunder #18
The first major story arc in DeConnick’s series is an attempt to write Ms./Captain Marvel into a revisionist feminist text – a laudable attempt to make manifest the purported feminist subtext of the character.
Matt Kindt’s Mind MGMT unfolds like a dream, but what do dreams mean, if anything?
Rock n’ roll songs about rock n’ roll disillusionment.
An overview of all the posts I planned to write or started writing but that never quite came together.
The shock of the queer in Oglaf undermines a genre where uber-masculine hyper-hetero adventures are the norm.
A resource that better writers can mine to develop something more sophisticated.
At the heart of Dan Slott’s run on She-Hulk is a alternately critical and nostalgic concern with continuity and rupture in serialized superhero comic books.
I prefer a song that explores our conflicted relationship to “nature.”
Poor black and brown people in the West joined by music and their relation to power.
Jefferson Pierce’s “blackness” is explored in relation to his superheroic identity, but doesn’t get anywhere.
Here we are, live in the studio, putting it on wax.
By All Means Necessary a record that tries to consciously address a variety of issues in the communities of people listening to it, while not sacrificing the braggadocio and arrogant subjectivity that so often gives hip hop its energy and fun.
Miles Morales or Trayvon Martin are more likely to be victim of a “heroic” vigilante than to be one.