In the final (for now) installment of the Howard the Duck reading series, we examine the duck’s shift from social satire to Marvel Comics parody.
The third and final part of our round table on comics paratexts, looking at digital comics and representations of the digital in comics.
Critiquing Thanos and the limits of deconstruction.
Re-considering the arc of Captain America through the lens of trauma in the Marvel Cinematic Universe.
Even comics that are not particularly “important” can tell us a lot about the attitudes acceptable in the editorial environments in which they were developed
Rhodey’s armor allows him to literally don the guise of a successful white man, to “pass” in the world of (mostly) white superheroes.
Reed Richards is not so fantastic when it comes to understanding race in America.