Thinking through how readers conceptualize a character and the degree to which such a characterization can be independent of how the character acts in the actual stories she appears in.
A recent Marvel story connecting Groot to Puerto Rican culture via a visit with the Thing to Marvel’s Lower East Side analog, Yancy Street got me thinking about place and identity.
Why is She-Hulk to blame for the “signal” she supposedly puts out?
This is Part Two of a two-part series of posts on the classic X-Men comics arc, “Days of Future Past.”
This is Part One of a two-part series of posts on the classic X-Men comics arc, “Days of Future Past,” which originally appeared in X-Men issues #141 and #142.
At the heart of Dan Slott’s run on She-Hulk is a alternately critical and nostalgic concern with continuity and rupture in serialized superhero comic books.
