Both versions of Omega the Unknown #8 seem to be “nowhere plans for nobody.”
An overview of posts in need of revisiting.
The Nike commercial is simply a recapitulation of the song’s co-opting of revolutionary affect to sell popular music itself as a commodity and line the Beatles’ pockets.
I get a special thrill from watching Prince show them how a guitar can weep like a mourner.
The weird corniness of “She’s Leaving Home” comes from its perfect ability to stand for its own artifice