1999: Radical Possibilities of Apocalypse
1999’s appeal emerges from a sense of danger, from the scandalous possibilities of a morality unbound by the coming apocalypse, disguised as synth-heavy dance pop
1999’s appeal emerges from a sense of danger, from the scandalous possibilities of a morality unbound by the coming apocalypse, disguised as synth-heavy dance pop
For a movie set in Detroit, it seems awful white.
This is Part Two of a two-part series of posts on the classic X-Men comics arc, “Days of Future Past.”
Hip Hop got up big time, and I love that, but its focus on cultural production left its political potential untapped.